Robert
Oppenheimer, the project and scientific leader
of the Manhattan Project, stated as he gazed upon the
Mushroom
Cloud, “Now I am become death,
the destroyer of worlds.” Bhagavad
Gita XI.32 As when we sensually immerse into Genesis,
this quote links us back to what we Earthfolk hold is
the central and primary revelation of Eden, namely, that
the male
body is the birthing body.
(See, male body.)
Oppenheimer and his legions expressed the same peculiar and, to us,
tortured sense of masculinity that sees itself as the creative life
force.
Is it a stretch to say that the vision and practical
ritual that creatively
imagined and produced the Atomic Bomb appears
to have
been
totally devoid of any influences
that might be labeled
feminine?
It is
curious that Oppenheimer quotes Kali, a Dark Mother goddess
figure. He reached across cultures to find a way to express
in Hindu imagery
what we Earthfolk claim was present in Genesis, but lacking
in imagery, namely, the Dark
Mother.
Over time, the Abrahamic Big Story
becomes seed-bed to the rise of
both the Secular and the Scientism Big Stories. As stated,
we see them linked by four themes.
The three Big Stories—Abrahamic,
Scientism and Secular—express four shared
themes. Each Big Story
1) is sourced in an emotion of
dreadful fear,
2) identifies and names the Other as
Intimate Enemy,
3) seeks to annihilate the goddess and/or the feminine and
4) expresses its heartfelt values through a self-fulfilling apocalyptic story
of self-annihilation.
As we Earthfolk sense it, the three Big
Stories are all about what first happened in the Garden of Eden.
Continue—Abrahamic
